University of Arts, Crafts and Design, Stockholm, Sweden
May 27, 2007 – May 30, 2007
May 27, 2007 – May 30, 2007
Table of Contents
Research papers
FABRICS IN FUNCTION - EMOTIONAL UTILITY VALUES | |
ANNE LOUISE BANG |
MAPPING THE MEANING OF KNOWLEDGE IN DESIGN RESEARCH | |
KRISTINA NIEDDERER |
CONFIGURATION PRACTICES OF SERVICE TECHNICIANS | |
LARISA SITORUS, JACOB BUUR |
FRAMING INNOVATION IN CO-DESIGN SESSIONS WITH EVERYDAY PEOPLE. | |
SALU YLIRISKU, KIRSIKKA VAAJAKALLIO, JACOB BUUR |
DOMESTICATION AS DESIGN INTERVENTION. | |
SARA ROUTARINNE |
INQUIRY INTO LIBRARIES - A DESIGN APPROACH TO CHILDREN’S INTERACTIVE LIBRARY | |
EVA ERIKSSON, PETER GALL KROGH, ANDREAS LYKKE-OLESEN |
PERSONAL THEORY TOWARDS A MODEL OF KNOWLEDGE DEVELOPMENT FOR DESIGN PRACTITIONERS | |
GRETE REFSUM |
WATERFRONT DEVELOPMENT WITH WEB MEDIATION | |
ANDREW MORRISON, SYNNE SKJULSTAD, BIRGER SEVALDSON |
FROM PROGRAM TO DESIGN, HOW ARCHITECTS’ USE BRIEFING DOCUMENTS | |
JOHN L. HEINZ, FLEMMING OVERGAARD |
ETHICAL IMPLICATIONS OF DESIGN PRACTICES. THE CASE OF INDUSTRIALLY MANUFACTURED PATIENT CLOTHING IN FINLAND. | |
SONJA ILTANEN |
DESIGN EDUCATION: STUDENT AND MARKET EXPECTATIONS | |
EVA BRANDT |
SUPER STUDIO: CLARITY AND AMBIGUITY IN PROBES | |
LISA NUGENT, SEAN DONAHUE, ILPO KOSKINEN |
WHY DESIGN:LABS? | |
THOMAS BINDER |
CONDUCTING FORM - THE USE OF GESTURAL HAND MOVEMENT AS A PART OF THE DIGITAL DESIGN TOOL-SET. | |
TAVS JØRGENSEN |
EVALUATING THREE TOOLS FOR USER-CENTERED MATERIALS SELECTION | |
ILSE VAN KESTEREN, SJEF DE BRUIJN, PIETER JAN STAPPERS |
THE PATIENT AS SKILLED PRACTITIONER. | |
JACOB BUUR, KYLE KILBOURN |
PARTICIPATORY DESIGN OF A CROSS-MEDIA COMMUNITY FOR SOCIETAL ACTION: LESSONS FROM AVATOPIA | |
YLVA GISLÉN, JONAS LÖWGREN, ULF MYRESTAM |
FROM CRAFTS TO COMMERCIALISM - THE MEDIASURFACES AND SPOKEN REALITIES OF INDUSTRIAL DESIGN | |
ANNA VALTONEN, TONI RYYNÄNEN |
FEMALEGAZE MEETS UNDRESSMAN | |
MAGNUS MÖRCK, MAGDALENA PETERSSON |
LEARNING ABOUT INTERACTIVITY FROM PHYSICAL TOYS | |
EVA HORNECKER |
Design, rhetoric, knowledge – Some notes on grasping, influencing and constructing the world | |
FREDRIK NILSSON |
Exploratory papers
NEW REPRESENTATION TECHNIQUES FOR DESIGNING IN A SYSTEMIC PERSPECTIVE | |
NICOLA MORELLI, CHRISTIAN TOLLESTRUP |
THE SOCIAL DIMENSION IN CONSTRUCTION OF DESIGNERLY KNOWING | |
PETRA FALIN |
STORYTELLING AND REPETITIVE NARRATIVES FOR DESIGN EMPATHY: CASE SUOMENLINNA | |
JONAS FRITSCH, ANDREA JÚDICE, KATJA SOINI, PHILLIP TRETTEN |
TO REFLECT ON INTERACTION FORM, IN PRACTICE | |
HANNA LANDIN |
UNDERSTANDING THE ESSENCE OF ENVIRONMENTALLY SOUND PRODUCTS: SOME INSIGHTS INTO ECOLUXURY DESIGN. | |
PIIA RYTILAHTI, MINNA UOTILA, MAXIM NARBROUGH |
DESIGNING FOR INQUISITIVE USERS: A PRAGMATIST PERSPECTIVE ON USERS IN EXPERIENCE-ORIENTED INTERACTION DESIGN. | |
PETER DALSGAARD |
'ARCHITECTURAL GAITS' - ARCHITECTURES AS TECHNOLOGIES AND TECHNIQUES | |
KATRINE LOTZ |
Team Directed, Project Based Education: A Case Study of an Entrepreneurial, Trans-Disciplinary, Design Studio Abroad | |
HELEN SANEMATSU |
DESIGNING CULTURAL PROBES TO STUDY "INVISIBLE" COMMUNITIE IN BRAZIL | |
ANDREA JÚDICE, MARCELO JÚDICE |
INTERACTION DESIGN AND SERVICE DESIGN: EXPANDING A COMPARISON OF DESIGN DISCIPLINES. | |
STEFAN HOLMLID |
CONCEPTUALISATIONS IN DESIGN RESEARCH. | |
LEIF E ÖSTMAN |
Doctoral consortium papers
INVESTIGATION INTO COMPANYSPECIFIC DESIGN STRUCTURES TO RAISE DESIGN AWARENESS. | |
MANUELA LACKUS, MARIO KOLAR |
APPLYING PROBES AS AN INSPIRATIONAL RESEARCH TOOL FOR FASHION DESIGN | |
LEENA LUNDGAARD, ULRIK MARTIN LARSEN |
INSTITUTION, ORGANISATION, SPACE - READING SEATTLE PUBLIC LIBRARY AND SENDAI MEDIATHEQUE | |
HENRIC BENESCH |
ABSTRACTNESS OF MEDIATING ARTIFACTS AS PROBES | |
YOUNG-AE HAHN, JUDITH GREGORY |
Man BITES DOG - Two paradoxes as agents of knowledge: Artefact-Accident/ Hospitality-Hostility | |
MARTIN AVILA |
TYPES OF FASHION DESIGN AND PATTERNMAKING PRACTICE | |
TIMO RISSANEN |
AUDIENCE PARTICIPATION IN A DANCE-CLUB CONTEXT: DESIGN OF A SYSTEM FOR COLLABORATIVE CREATION OF VISUALS | |
GERRIT KAISER, GUSTAV EKBLAD, LINNÉA BROLING |
A SOCIAL LANGUAGE OF OBJECTS AND ARTIFACTS. Concepts of materiality in practice-based approaches to knowing in organization | |
CONNIE SVABO |
FEAR AND DESIGN; HOW CAN DESIGN IMPACT ON FEAR? HOW CAN DESIGN RAISE QUESTIONS ABOUT FEAR? | |
JENNY BERGSTRÖM |
A COLLABORATIVELY PRODUCED DO-IT-YOURSELF NEWSarticle | |
KJEN WILKENS, CLARA BLASCO LÓPEZ, YEKTA GÜREL, VICTORIA PÉREZ |
ISSN: 1604-9705