University of Arts, Crafts and Design, Stockholm, Sweden
May 27, 2007 – May 30, 2007
May 27, 2007 – May 30, 2007
Table of Contents
Research papers
| FABRICS IN FUNCTION - EMOTIONAL UTILITY VALUES | |
| ANNE LOUISE BANG |
| MAPPING THE MEANING OF KNOWLEDGE IN DESIGN RESEARCH | |
| KRISTINA NIEDDERER |
| CONFIGURATION PRACTICES OF SERVICE TECHNICIANS | |
| LARISA SITORUS, JACOB BUUR |
| FRAMING INNOVATION IN CO-DESIGN SESSIONS WITH EVERYDAY PEOPLE. | |
| SALU YLIRISKU, KIRSIKKA VAAJAKALLIO, JACOB BUUR |
| DOMESTICATION AS DESIGN INTERVENTION. | |
| SARA ROUTARINNE |
| INQUIRY INTO LIBRARIES - A DESIGN APPROACH TO CHILDREN’S INTERACTIVE LIBRARY | |
| EVA ERIKSSON, PETER GALL KROGH, ANDREAS LYKKE-OLESEN |
| PERSONAL THEORY TOWARDS A MODEL OF KNOWLEDGE DEVELOPMENT FOR DESIGN PRACTITIONERS | |
| GRETE REFSUM |
| WATERFRONT DEVELOPMENT WITH WEB MEDIATION | |
| ANDREW MORRISON, SYNNE SKJULSTAD, BIRGER SEVALDSON |
| FROM PROGRAM TO DESIGN, HOW ARCHITECTS’ USE BRIEFING DOCUMENTS | |
| JOHN L. HEINZ, FLEMMING OVERGAARD |
| ETHICAL IMPLICATIONS OF DESIGN PRACTICES. THE CASE OF INDUSTRIALLY MANUFACTURED PATIENT CLOTHING IN FINLAND. | |
| SONJA ILTANEN |
| DESIGN EDUCATION: STUDENT AND MARKET EXPECTATIONS | |
| EVA BRANDT |
| SUPER STUDIO: CLARITY AND AMBIGUITY IN PROBES | |
| LISA NUGENT, SEAN DONAHUE, ILPO KOSKINEN |
| WHY DESIGN:LABS? | |
| THOMAS BINDER |
| CONDUCTING FORM - THE USE OF GESTURAL HAND MOVEMENT AS A PART OF THE DIGITAL DESIGN TOOL-SET. | |
| TAVS JØRGENSEN |
| EVALUATING THREE TOOLS FOR USER-CENTERED MATERIALS SELECTION | |
| ILSE VAN KESTEREN, SJEF DE BRUIJN, PIETER JAN STAPPERS |
| THE PATIENT AS SKILLED PRACTITIONER. | |
| JACOB BUUR, KYLE KILBOURN |
| PARTICIPATORY DESIGN OF A CROSS-MEDIA COMMUNITY FOR SOCIETAL ACTION: LESSONS FROM AVATOPIA | |
| YLVA GISLÉN, JONAS LÖWGREN, ULF MYRESTAM |
| FROM CRAFTS TO COMMERCIALISM - THE MEDIASURFACES AND SPOKEN REALITIES OF INDUSTRIAL DESIGN | |
| ANNA VALTONEN, TONI RYYNÄNEN |
| FEMALEGAZE MEETS UNDRESSMAN | |
| MAGNUS MÖRCK, MAGDALENA PETERSSON |
| LEARNING ABOUT INTERACTIVITY FROM PHYSICAL TOYS | |
| EVA HORNECKER |
| Design, rhetoric, knowledge – Some notes on grasping, influencing and constructing the world | |
| FREDRIK NILSSON |
Exploratory papers
| NEW REPRESENTATION TECHNIQUES FOR DESIGNING IN A SYSTEMIC PERSPECTIVE | |
| NICOLA MORELLI, CHRISTIAN TOLLESTRUP |
| THE SOCIAL DIMENSION IN CONSTRUCTION OF DESIGNERLY KNOWING | |
| PETRA FALIN |
| STORYTELLING AND REPETITIVE NARRATIVES FOR DESIGN EMPATHY: CASE SUOMENLINNA | |
| JONAS FRITSCH, ANDREA JÚDICE, KATJA SOINI, PHILLIP TRETTEN |
| TO REFLECT ON INTERACTION FORM, IN PRACTICE | |
| HANNA LANDIN |
| UNDERSTANDING THE ESSENCE OF ENVIRONMENTALLY SOUND PRODUCTS: SOME INSIGHTS INTO ECOLUXURY DESIGN. | |
| PIIA RYTILAHTI, MINNA UOTILA, MAXIM NARBROUGH |
| DESIGNING FOR INQUISITIVE USERS: A PRAGMATIST PERSPECTIVE ON USERS IN EXPERIENCE-ORIENTED INTERACTION DESIGN. | |
| PETER DALSGAARD |
| 'ARCHITECTURAL GAITS' - ARCHITECTURES AS TECHNOLOGIES AND TECHNIQUES | |
| KATRINE LOTZ |
| Team Directed, Project Based Education: A Case Study of an Entrepreneurial, Trans-Disciplinary, Design Studio Abroad | |
| HELEN SANEMATSU |
| DESIGNING CULTURAL PROBES TO STUDY "INVISIBLE" COMMUNITIE IN BRAZIL | |
| ANDREA JÚDICE, MARCELO JÚDICE |
| INTERACTION DESIGN AND SERVICE DESIGN: EXPANDING A COMPARISON OF DESIGN DISCIPLINES. | |
| STEFAN HOLMLID |
| CONCEPTUALISATIONS IN DESIGN RESEARCH. | |
| LEIF E ÖSTMAN |
Doctoral consortium papers
| INVESTIGATION INTO COMPANYSPECIFIC DESIGN STRUCTURES TO RAISE DESIGN AWARENESS. | |
| MANUELA LACKUS, MARIO KOLAR |
| APPLYING PROBES AS AN INSPIRATIONAL RESEARCH TOOL FOR FASHION DESIGN | |
| LEENA LUNDGAARD, ULRIK MARTIN LARSEN |
| INSTITUTION, ORGANISATION, SPACE - READING SEATTLE PUBLIC LIBRARY AND SENDAI MEDIATHEQUE | |
| HENRIC BENESCH |
| ABSTRACTNESS OF MEDIATING ARTIFACTS AS PROBES | |
| YOUNG-AE HAHN, JUDITH GREGORY |
| Man BITES DOG - Two paradoxes as agents of knowledge: Artefact-Accident/ Hospitality-Hostility | |
| MARTIN AVILA |
| TYPES OF FASHION DESIGN AND PATTERNMAKING PRACTICE | |
| TIMO RISSANEN |
| AUDIENCE PARTICIPATION IN A DANCE-CLUB CONTEXT: DESIGN OF A SYSTEM FOR COLLABORATIVE CREATION OF VISUALS | |
| GERRIT KAISER, GUSTAV EKBLAD, LINNÉA BROLING |
| A SOCIAL LANGUAGE OF OBJECTS AND ARTIFACTS. Concepts of materiality in practice-based approaches to knowing in organization | |
| CONNIE SVABO |
| FEAR AND DESIGN; HOW CAN DESIGN IMPACT ON FEAR? HOW CAN DESIGN RAISE QUESTIONS ABOUT FEAR? | |
| JENNY BERGSTRÖM |
| A COLLABORATIVELY PRODUCED DO-IT-YOURSELF NEWSarticle | |
| KJEN WILKENS, CLARA BLASCO LÓPEZ, YEKTA GÜREL, VICTORIA PÉREZ |
ISSN: 1604-9705